如尘埃的躁动似乎恰恰难以同后面接榫,如果是一次大起,之后一次大落这还有可能处理成前后基调相反,从而赋予“尘埃”以重量。可是这样多起多落,观感大打折扣,口号也变得只是口号而已,群像和个体的联系也不复存在。为人称道的剪辑在我看来也很pretentious。Sorry,I have to rain on this parade.
Losing.每个人绝望的时候都会让妈妈来救,老爷子最后给我整崩溃了。虽然毕肖普写过“So many things seem filled with the intent to be lost that their lost is no disaster.”但是困在这种无知无觉的丧失里面。何以不永怀,何以不永伤。